Ghost In Real Life & Slippy – Youth (Original Mix)
Teaming up on a drum and bass heater are Ghost In Real Life and Slippy on “Youth”. The two artists blend electric guitar riffs with growling synths, while adding in Ghost In Real...
Read More →First premiered during his Boiler Room set last June, Four Tet has finally released “Baby again..” with Skrillex and Four Tet from Atlantic Records UK. The song, which samples Lil Baby and Da...
Read More →Almost three years to the day after releasing their “Fluorescence” EP, MYRNE and Manila Killa have joined forces once again on a song called “Conflicted”. A familiar track in their sets for a...
Read More →The Advocate makes his debut on Miss Monique’s Siona Records with a two track EP titled “Fall Away”. The DJ and producer form Ukraine uses a steady bassline and features Sarah de Warren’s...
Read More →Appearing once more on Patrick Topping’s record label TRICK are Dense & Pika with a dynamic two track EP called “Brunt”. Also consisting of “Bag Of Beez”, Alex Jones and Chris Spero use...
Read More →Enamour and Marbs have collaborated together on a dark and heavy techno tune titled “Gate & Switch”. The energetic and hypnotic track will have your head moving and feet grooving right from the...
Read More →The collaboration by Will Clarke and Ammara called “Techno Tree” has been heard in both of their sets for over a year now. Clarke played the song in his set for Escape Halloween...
Read More →Back in August, ISOxo and FrostTop released “Angels Landing” from Los Angeles based NIGHTMODE. Three months later, Midnight Kids has put his heavy hitting spin on the track. ISOxo hosted a pop up...
Read More →Though Siskin have only been together since 2019, they have plenty of experience as solo artists. Sue McLaren’s voice has been heard on tracks with the likes of Aly & Fila, Andy Moor,...
Read More →OXIA has put his melodic house and techno spin on Dense & Pika’s 2019 track “Apache“. The French DJ and producer, who has over 25 years of experience, uses hypnotizing synths and a...
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