Juliet Sikora & Tini Gessler – Tidy Up (Extended Mix)
Having just worked together on “Mandala Acid” at the end of 2021, Juliet Sikora and Tini Gessler join forces once again at the start of 2022 in “Tidy Up”. With a steady four...
Read More →Having just worked together on “Mandala Acid” at the end of 2021, Juliet Sikora and Tini Gessler join forces once again at the start of 2022 in “Tidy Up”. With a steady four...
Read More →Starting off the year with a hard hitting seven track EP fittingly called “Seven” are the French duo KOWZ. Containing orchestral elements, cinematic vibes, and heavy bass, the impressive set is reminisce of...
Read More →Calvin Harris has fired up his Love Regenerator alias again, this time teaming up with Riva Starr and Sananda Maitreya on “Lonely”. The track from Sony Music UK features striking piano chords, warm...
Read More →With a bit of wonky bass and a whole lot of funk, Defunk has unleashed his new five track EP called “Dimensions”. The Canadian DJ and producer explains that “I was heavily inspired by...
Read More →I’ll admit that I was not ready when the first drop hit in the new track from Wynde Up called “Thunder Rainbow”. Let’s just say that the bass face I made was not...
Read More →Already familiar with the Toolroom Records family, CHANEY returns to the United Kingdom based record label with “Love Again”. The stirring house tune from Theo Altieri of Swindon in southwest England features bouncy...
Read More →I was on another hunt for some tunes on SoundCloud the other day when I came across a track by AHEE and sømething, and it’s a good thing I hit play on “The...
Read More →First appearing on Anjunabeats last December with a remix of Above & Beyond’s “Black Room Boy“, Kasablanca now make their solo debut on the record label with “Immunity”. The progressive house and melodic...
Read More →Linking up with Los Angeles based imprint In / Rotation once again is Dark Cities with a dark bass house tune called “Ever Nothing”. Seven months ago, the Florida based artist released “Don’t...
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